Friday, December 26, 2008

Article - Sydney Morning Herald, Tuesday December 23rd 2008

Bring on the mad charge of the credit card brigade
William McInnes

In search of a Christmas present I found myself standing in a line.

Noise. Children screaming. Piped music. Voices over speaker systems. And a voice close to me.

"You weren't in Underbelly," said the large woman in front of me at the checkout. A couple of bored shoppers turned to look. A price check was in progress so we had time to kill.

I smiled.

"You weren't in Underbelly," she repeated, pointing in a slightly accusing manner with a George Foreman Fat Beating Grill. "No, I wasn't was I?"

I clutched a collection of underpants and socks, the all-purpose stocking fillers. Dean Martin crooned Rudolph The Red-Nosed Reindeer from the store's sound system, this year's Yuletide shopping anthem that haunts you from shop to shop.

Nobody said much as we listened to a long-dead singer from an age of full employment and post-World War II certainties. Then her partner spoke. "I saw Australia … you weren't in that either."

He was even larger than she was. He wore a baseball cap with BAD emblazoned on the brim.

"No," I admitted, as Dean warbled away. "I wasn't in Australia."

Bad Hat nodded. "Yeah, you weren't in that one," he said sagely.

"Bloody long," said Grill Purchaser, shaking her head. "You buying some undies?" she asked. "I am."

"Well, you always need undies," said Bad Hat. The price-check cleared and we all moved on.

"You getting much work? Play acting?" asked the Griller.

And she sounded a little concerned, as if I hadn't been in enough she had seen. "Well, enough to keep me in undies," I reassured her.

They laughed. "Finished your shopping?" I asked. They laughed a bit louder.

It sounded like a scene from Robin Hood. Everyone was laughing. Maybe it was just Christmas.

"No, way to go yet. Got his," and the George Foreman Fat Beating Grill was proffered in the direction of Bad Hat.

"But we've got to spend the rest of Kev's cheque," said Bad Hat.

"Well, good luck," I said.

"Yeah mate, you too," said the Griller, and they disappeared off in the throng to spend the rest of Kev's cheque. Spend to keep the economy ticking over.

Maybe I should be buying a little more than undies and socks. Perhaps I shouldn't wait for Kev's cheque. I should charge into the shops with my credit card flying like the flag of the 7th Cavalry, here to save the day. To buy up big, to save the economy. My daughter had an idea. She came up with a copy of That'd Be Right by William McInnes. "Maybe you should buy it, Dad," she said helpfully.

Perhaps instead of the Seventh it was more the Credit Charge of the Light Brigade, just some mad sod's shot at glory. Well, in any case, at least the Light Brigade got a poem out of it.

Maybe a latterday Tennyson will write an epic ode to the Christmas shoppers of 2008 who tried to buy up big in the face of the GFC. The Global Financial Crisis.

When something is serious, letters describe it, but only by the people who never saw it coming, the brokers, the commentators and bankers and all their fellow travellers who got things so wrong. I bet they aren't buying up big this Christmas.

And then I think to myself, it doesn't matter. People don't buy things at Christmas just for the sake of it. They do it because they want Christmas to be fun. To be good, to be happy.

Maybe somebody somewhere cottoned on to the idea that this spirit of generosity was an opportunity to make a dollar. But all in all, I like it.

Not standing in checkout lines and shopping and the whole commercialisation, but I don't care how daggy it is - I like Christmas. I like people giving stuff to others and I like people thinking outside themselves.

After another hour of shuffling through the mall and being chased by Deano's Red-Nosed Reindeer, I stumble through the car park back to my car. Big four-wheel-drives cruise past like sharks, looking for a park.

I turn down a line of bays to see a jam of cars. A group of trolleys and bags are strewn about. At first I think somebody might be hurt, there's been some sort of accident.

I get closer and see I see Bad Hat, a bloke in a suit, a tradie in King Gees and the George Foremen Griller. They're all pushing a car.

It's driven by a harried looking woman wearing a burqa with a load of kids. "She left the lights on," explains the tradie.

I put down my items and join in. We push, the car chugs into life and the woman smiles and waves her thanks.

"Merry Christmas," she calls out.

"Merry Christmas," says the man in the suit. And he smiles to himself.

"Yeah," puffs Bad Hat. And he turns to me, shaking his head: "You weren't in Underbelly."

Merry Christmas to you Bad Hat, and Merry Christmas to all of you.

Labels: , , , , ,

Sunday, December 21, 2008

Article: Scoop, Saturday 20th December, 2008

William McInnes Stars In My Fair Lady

Two-time Logie Award and 2008 AFI Award winner announced to star in NZ season of My Fair Lady

Star of Australian stage-and-screen, William McInnes (Blue Heelers, SeaChange, A Country Practice) will make his New Zealand stage debut as the world’s most-loved curmudgeonly misogynist, Henry Higgins, in the Broadway musical, My Fair Lady.

This spectacular production will play a strictly limited season at Auckland’s The Civic, THE EDGE® from 25 March 2009.

McInnes will star alongside Taryn Fiebig, who has been critically acclaimed around Australia for her performance in one of the most coveted roles in musical theatre history, Eliza Doolittle.
Alan Jay Lerner and Frederick Loewe’s musical, My Fair Lady, is an adaptation of George Bernard Shaw’s play Pygmalion.

Featuring some of the most memorable Broadway hits of all time, the magic of My Fair Lady continues to endure. Few can forget ‘The Rain in Spain’, or be able to resist singing along to ‘I Could Have Danced all Night’, ‘Get Me to the Church on Time’, and ‘Wouldn’t it be Loverly’.
Transporting audiences to the lively heart of London, My Fair Lady features a delightful mix of comedy and romance. This international production comes to New Zealand after return seasons in Sydney and Melbourne and rave reviews across Australia.

With a stellar cast, extravagant sets, outstanding performances, a virtuosic chorus and a veritable fashion parade of stunning costumes – My Fair Lady is a guaranteed night of pure theatre magic.

William McInnes – Professor Henry Higgins

William McInnes is one of the most accomplished and popular actors on the Australian landscape today. In 2006 William was awarded the Sydney Morning Herald, Sun Herald and the Age Australian Star of The Year Award. Equally at home in theatre, film and television, comedy and drama, he has played countless lead and supporting roles in some of the most successful and memorable productions Australia has had to offer and has multiple AFI and Logie nominations for this extensive body of work, this year picking up the AFI Award for Best Actor in a Feature Film – Unfinished Sky.

In television, William has shone in dramatic lead roles in The Shark Net, My Brother Jack, Blue Heelers, Stepfather of the Bride, Seachange and more recently in the critically acclaimed and ratings success ABC telemovie Curtin, about Australia’s wartime prime minister and in the hard hitting SBS television series East West 1-0-1

William’s work in Australian Cinema is also widely acknowledged, by both industry peers and audience alike. The feature film, Look Both Ways, saw William achieve a nomination for best lead actor by the Australian Film Institute and receive the Film Critics Circle of Australia Award for Best Actor. He can be seen currently in the film Unfinished Sky and has just completed filming on Prime Mover.

His many lead roles on the stage only further highlight William’s remarkable career. His performances include Don Juan for Sydney Theatre Company, Macbeth and Ray’s Tempest for Melbourne Theatre Company and Darcy for both company’s landmark productions of Pride and Prejudice.

William is also the author of two best selling books. A Man’s Gotta Have a Hobby, winner of a 2006 Australian Book industry award and Cricket Kings, which is a 2007 Australian book industry award nominee. His third book That’d Be Right has just been published.

Taryn Fiebig – Eliza Doolittle

Taryn Fiebig graduated from the University of Western Australia in 1993 with a Bachelor of Music in Cello performance after which she commenced vocal training with Molly McGurk and later with Megan Sutton.

It was her particular interest in early music repertoire which won her two scholarships to the Dartington International Summer School in 1995 and 1996, studying with Emma Kirkby, Evelyn Tubb and Anthony Rooley continuing her studies with Evelyn Tubb in 1999 on an Arts WA Scholarship. Further study with Jane Manning was made possible by a Churchill Fellowship in 2000. She completed the Emerging Performers Programme at the Australian Opera Studio in 2003, having studied with Gregory Yurisich and Patricia Price.

As a soloist, she has performed the 15th Century Masterpiece El Cant de la Sibil-la with the Australian Brandenburg Orchestra for their popular Noël Noël Christmas concerts.

Internationally, Taryn has performed in Los Angeles with the contemporary music ensemble L.A. EAR unit, in England with the English Chamber Orchestra in St. John’s Smith Square, London and on BBC Radio 3 and Radio 4 in the radio dramas Southland and Pembroke, Arcadia.

Her operatic work includes several leading roles for the Australian Opera Studio, Marie in Lindsay Vickery’s opera-noir Rendez-vous (Tura Events 2001), Mary Magdalen in Les Saintes Femmes au Tombeau (1999 York Early Music Festival, UK) and Angel in Plainsong (2000 Perth International Arts Festival/Black Swan Theatre Co.)

In 2005, Taryn Fiebig joined Opera Australia's as a principal soprano. Her roles with this company have included Zerlina in Don Giovanni, The Plaintiff in Trial by Jury, Papagena in The Magic Flute, Rose in Lakmé, Servilia in La Clemenza di Tito, Karolka in Jenufa, Mabel in The Pirates of Penzance and Gianetta in The Gondoliers. In 2008, she sang Clorinda in Cenerentola, Musetta in La bohème and the leading role of Eliza Doolittle in the national tour of My Fair Lady.
In 2009, Taryn will perform Musetta, Galatea in Acis and Galatea, Belinda in Dido and Aeneas, Anne in A Little Night Music and Yum-Yum in The Mikado for Opera Australia. She will also appear for Pinchgut Opera and in concert with the Queensland, Adelaide and West Australian Symphony Orchestras; she will also take the soprano solos in Australian Brandenburg Orchestra’s Mozart Requiem.

Taryn Fiebig’s discography includes French Baroque Cantatas, The Concert Français and Old American Songs for ABC Classics.

Further details of the star-studded cast of My Fair Lady to be announced soon.

Tickets on sale now from THE EDGE®Phone 0800 BUYTICKETS or www.buytickets.co.nz

Labels: , , , ,

Thursday, December 11, 2008

Excerpt from SBS Article

Read whole article here.

Peter Duncan's Unfinished Sky is a remake of the Dutch film The Polish Bride (Karim Traidia, 1998), which also starred Monic Hendrickx in the lead role. For her reprisal, Duncan translated the script into Dari Persian for the actress. Duncan said: “we translated the script and sent it to Monic in South Africa. She’d listen to it in the car and learn it word for word. She certainly wasn’t up for improvisation on the day!"

"It was different for me,” Duncan said. “My other films [A Little Bit of Soul (1998) and Children of the Revolution (1996)] have been very wordy. In Unfinished Sky, I cut dialogue and I found that the script got better, particularly the first half. I had to find a language other than the verbal to get them to communicate, other than with words.

“We only had two days for rehearsal. On the first day, William (McInnes) was in a foul mood – something terrible had happened to his computer and Monic’s plane had been diverted – they were both totally discombobulated. She didn’t know where she was or what was going on and William was not giving her any breaks. Knowing she had never been to Australia, he asked her “So, you going to be starkers?” [For the shower scene.] William has two modes – one with stubble and one without. We shot the first half with stubble and then moved into post-stubble. It was only in the second half that Monic started to understand William and then they were laughing on set.

"Their own relationship really reflected their characters.”

Labels: , , , ,

Tuesday, December 09, 2008

Photos of William with his AFI Award

Sunday, December 07, 2008

William wins AFI Award

Last night William won the AFI award for Best Lead Actor, for his role as John Woldring in Unfinished Sky.

Articles:

Courier Mail

ABC

More to follow.

Labels: , , , , , ,